Channels are tools, not identities.
Social, email, live, retail, PR, paid media, partnerships — each plays a different role depending on the audience and objective. We use them in service of a wider strategy, not as the strategy itself.
When one person holds the creative strategy and the numbers, nothing gets lost between them.
This is not a team of specialists who hand off between departments. It is one operator with a complete view of the campaign.
Before Tell Your Friends, Jeff Courtney was the artist. A chorister at St. Patrick’s Cathedral in Dublin, then a touring musician whose band Spies was named NME’s Band of the Day, featured by The Guardian, and played by Zane Lowe on BBC Radio 1.
He went on to work every side of the music business: label marketing, artist management, independent consultancy, and platform partnership at a major cultural institution.
That arc is the point. He does not see campaigns from one angle, because he has sat on every side of the table.
The same person who understands the label’s commercial constraints also knows what an artist needs from their management, and what it takes to make a campaign work inside a cultural institution.
The strongest marketing does not broadcast at people. It creates something they want to enter, respond to, or help shape.
Social, email, live, retail, PR, paid media, partnerships — each plays a different role depending on the audience and objective. We use them in service of a wider strategy, not as the strategy itself.
We resist constant hard-sell when it weakens a long-term relationship. We build enough value and relevance that audiences choose to engage when the commercial moment arrives.
Great creative builds memory and affinity. Great reporting informs better decisions. Neither works in isolation, and neither should sit in a different department.
Timing, format, platform, audience mood, and cultural environment all shape whether a campaign lands or gets ignored. We treat the environment as carefully as the message.
42x ROAS across Meta and Google for CIRCA / Marina Abramović, with purchases across 22 countries.
Every claim on this site is source-backed and conservative by design. We would rather frame an honest range than sell a perfect projection we cannot defend later.
Strategy, paid media, web, CRM, creative, and reporting. One senior partner holds the whole system.
Meta, TikTok, Google, YouTube. Ads that convert casual listeners into ticket buyers and collectors, without wasting spend.
Campaign identities, art direction, social content, and motion design that feel native to the project, not like corporate advertising.
Email, first-party data, segmentation, and lifecycle campaigns that build lasting relationships beyond one release.
Weekly updates on what is working, what isn’t, and what we are changing next. No data dumps. No vanity metrics.
Shopify, storefronts, landing pages, and campaign microsites designed to convert and collect data.
One call to see whether we are the right fit. No pitch deck, no pressure.
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